The Story of the Only Band I Ever Booked Based on 1 MySpace Song

A few weeks ago I received a message on Facebook from the singer of a band I booked at the Centre St-Ambroise several years ago. He sent me the message on probably the busiest day I’ve had since leaving my job at St-Ambroise, and normally I would wait a few days before even checking a message on Facebook, let alone when I’m swamped with work. But I remembered this band. I had been waiting 3 years for this message. So I watched the video right away, then I watched it about a dozen more times throughout the day. And then I started emailing everyone I knew in the industry, there was a band they needed to see:

A Secular, Rabble-Rousing, Barn-Burning, Queer-Positive, Feminist, Anti-Racist, Subversive Gospel Music Band: http://www.vimeo.com/23268340

*****

Back in May of 2008, I was in my first year of programming the newly created Centre St-Ambroise. There was pressure to make the space viable in the first year, so choosing which events were booked at the space was extremely important. I tried to ensure that the artists/bands that were booked had some kind of online presence, gig history and a tangible sense of a fan base that would come to the show.

Well, I threw all that out the window for Irreverend James and the Critical Mass Choir. I received an e-mail from the band asking if they could play at the space, and they sent along a MySpace link. There was only 1 song on the page, along with 1 photo, which wasn’t even of the band. Plus they had no gig history; this would be their first show.

Normally, I would’ve disregarded the request or tell the band to find other acts they could play with before booking them. But after 1 listen to the song on MySpace I was hooked. I decided to take a risk and book the band. I figured at worst, I would work the bar and not pay myself so the space wouldn’t lose money, and I would get to see a live gospel band.

The Night of the Show

Fast-forward to the night of the show. While getting the room prepped for the show, four scrawny young guys come walking into the venue. I honestly thought they were lost, but it turned out they were the band. Now I really wasn’t sure what to expect. I was polite and helped them get set up and waited around hoping that some kind of crowd would magically show up for this show.

Well, show up they did. The room was packed that night. And it was hot, really hot. But it didn’t matter, once the band started playing, no one was going to leave that room. People were up dancing, clapping and singing along instantly, it was infectious. The room was alive, there was energy and excitement that you only wish you could feel at every show.

And man, could they play. The piano, bass and drums were tight, the musicianship was incredible. These guys were trained musicians and have been around the block, no doubt. And the vocals. Oh my God the vocals. The singer, “The Profit” (known as Baptiste in some circles), put on a performance I will never forget. Not only can the guy sing, but he really took on the personality of a preacher. It was a performance in the truest sense of the word.

One of Those Rare Moments

Every once in a while an original/unique project comes along that makes you go “WOW”. Irreverend James and the Critical Mass Choir is one of those projects. I was involved in more than 500 events during my time at St-Ambroise, and that night is forever etched in my memory. I felt the same way after seeing them as I did seeing Lake of Stew’s first show, or seeing Random Recipe for the first time. It was something different, something unique. Let’s face it, it’s not every day that you see a secular, queer-positive, feminist, anti-racist, gospel band.

After their show that night, I found out that the bass player was leaving the country for a little while, so they weren’t sure about the future of the project. Although disappointed, I told them that I thought the project had enormous potential and that if they ever launched the project officially, to please let me know. I would be happy to help them in any way I could. Well, the message finally came on Facebook a few weeks ago.

Irreverend James and the Critical Mass Choir “Introduction” EP Launch: June 8 at Divan Orange

So for all those in the Montreal area, I highly recommend this show and this band. Watch this short video trailer for their official launch show coming up at Divan Orange and you’ll get a sense of what they’re about: http://www.vimeo.com/23268340

And hopefully I’ll see you on June 8. I’ll be there clapping and singing along…ok, maybe just clapping…

Cheers,

Dave

 

Why Bands Shouldn’t Give Away (ALL) their Music for Free

This post was written for Bandzoogle, a website platform for musicians. Bandzoogle is a Montreal-based company, founded and run by musicians, and has every tool a musician needs for their website. Visit Bandzoogle.com to take the tour or get started right away and build your website free.


There’s a lot of talk in the music industry about the diminishing value of recorded music and how bands should look for other ways to make money. The argument for giving away your music is that you should simply want to have your music heard, and since people can generally find music online for free, then why bother putting a price tag on it? Live shows, merchandise, licensing, and subscriptions are just some of the ways that bands are encouraged to generate revenue. However, should artists just give up selling their music? Are we to believe that nobody buys music anymore? I’m not so sure that’s the case.

The topic became front and center for me recently after I spent a considerable amount of time following indie artists from all over North America on Twitter. I was shocked at how many would automatically send me a direct message with a link to download their entire album for free. I didn’t sign up to their mailing list, I didn’t have to buy other merchandise in a bundled package offer, I simply followed them on Twitter and received a free album of music. I couldn’t help but think: too much, too soon?

I started following the artists out of curiosity, but I don’t know who they are yet, what their personalities are like, etc. It was simply a first step in the relationship, and they’ve already given away what could be their most valued asset: their music. There is a hint of desperation to it, but that’s understandable, because with so many other artists out there, how do you compete? How do you get your music heard? Well, why not give away your music for free to anyone and everyone you can?

Here’s another way to look at it, keeping with the example on Twitter:

One artist sent me a direct message thanking me for following them. The message was hilarious. The artist obviously has a great sense of humour, so I already know something about them that gives me a better sense of who they are as a person. They also included a link, but it was to their website where I could hear their music, not download it for free or buy it, but simply hear it. And because the link took me to their website, it increased the chances of having me see their latest blog posts, watch some videos, to sign-up to the mailing list or even shop in their store. Although I did go to the site, I simply listened to a few tracks, one of which I found kind of catchy, and moved on.

Fast forward to a few weeks later. The artist tweets something I find funny, I tweet back, and they respond to me right away. Awesome, they’re engaged with their fans, I was impressed. A few weeks after that, I tweet something, the artist responds to my tweet with a personalized joke that had me laughing out loud at my computer. The artist is paying attention to their fans’ tweets as well, now I’m really impressed. I went back to the artist’s website, saw that they had a new EP for sale, and bought it for $5.

So what happened here? The artist took time to develop a relationship with me. Once I knew the artist better, once they had made a deeper connection with me by making me laugh and responding to me personally a few times, they no longer felt like just another one of the thousands of other artists out there. They stood out from the pack because they took time to get to know me and I felt like I was a part of their world. Now I wanted to support their career. Could I have bought a t-shirt or a hat? Maybe, but I didn’t want to buy any new clothes, and I didn’t need a new mug or trinket. Could I have bought a ticket to their show next time they passed through Montreal? Possibly, but I wanted to show support in the moment, and given their geographic location, a show here was unlikely. The simplest way for me to show support was to buy their music, which is what I did. And what if they had simply given me their EP for free like the other artists? They would have $5 less in their bank account today.

But Aren’t Music Sales Tanking?

Let’s take a quick look at the numbers:

  • Digital distributor TuneCore boasts over 45 million in music sales through their service
  • CD Baby reported music sales of almost $40 million in 2010 alone
  • Our very own Bandzoogle members recently crossed $4,000,000 in music and merchandise sales.

Are CD sales down? Yes. Are they non-existent? No. Are digital sales flattening out? Perhaps. Are they non-existent? You get the idea. People still spend money on music when they perceive that music to be valuable. And this is the key to selling any product or service: creating value.

Note: There are those who will argue that TuneCore’s sales are skewed because they have several former major label artists selling in their catalogue, or that CD Baby’s album sales actually went down while new album additions went up. I don’t want to turn this into a debate about their numbers. The reason I’ve included them is that they simply illustrate that there are obviously still some people out there buying music.

 

Note #2: Here’s a nice article detailing how paid single tracks are still the dominant force in digital music revenue: http://www.hypebot.com/hypebot/2011/05/digital-radio-paid-musicians-36-million-more-than-paid-subcriptions-last-year.html

How to Create Value

So if the key to selling your music is to create value for it, how can you go about doing that? Here are some ideas to get you started:

  • Develop a relationship with your fans

One of the most important ways to create value for your music is to create a deeper connection with your fans. Every day take time to respond to fan e-mails, tweets, questions on Facebook, etc. Don’t just promote yourself and your music, have a conversation with your fans. Make them laugh, ask them questions, find out more about them, make them feel like they’re part of your world and that you’re a part of theirs. Take time to develop a relationship with them and they’ll want to support your career, which can of course include buying your music.

  • Generate lots of content

Blog regularly, post video blogs, music videos, etc. By generating content on a regular basis, you’ll give people a better sense of your personality and show that you’re an active artist. And if a fan responds to a blog post or video blog, respond as soon as you can and never leave them hanging.

  • Be genuine, be your unique self

The key to fan engagement is being your true self. Make sure to bring out your personality and you’ll attract like-minded people who you can have a genuinely deeper connection with.

  • Use emotion

People respond to emotion. Make people laugh, make them cry, inspire them, and they are more likely to respond and feel a deeper sense of connection to you as an artist. Use your lyrics, your personality, make engaging videos, well-written blog posts and show your emotions. You never know when somebody will really connect with how you‘re feeling.

  • Bundled options

Always offer buying options for everyone from a hardcore fan to someone who just wants to show a little bit of support for your career. From the single song download, to a personalized signed CD, to a bundled option with other merchandise, make sure there are plenty of options for the different level of fan.

  • Release great music

And last, but certainly not least, the most important thing you can do to create value for your music is to only put out great music. If you have 15 new songs, and even you would consider 4 or 5 of those songs as “filler”, scrap those songs. Only release the songs that are great. Only release the songs that will have a chance of standing out from the thousands of other songs out there. Focus your energies on fewer songs and do as much as you can with them: music videos, live videos, making-of videos, blog about the songs, etc. Make sure they are front and centre on your website and online press kit. These are the songs that are going to help you stand out from other bands, and these are the songs that fans will gladly pay money for.

It’s About Strategy

I’m not saying that you should never give away your music. Giving away an exclusive track or an exclusive live EP to get people to sign-up to your mailing list can be great ways to build your fan list. All I’m saying is don’t give away ALL of your music, especially if you’re not getting anything tangible in exchange. Make sure to have a strategy behind the giveaways and always get something in return whenever you give away even just one song. Get an e-mail address, get some information about the fan (where they live, their birthday, etc.), get a “like” on Facebook, or a re-tweet on Twitter.

There is Always Demand for Quality

There are indeed many, many artists out there, and the perception is that there’s more supply than demand, which is the argument for why the price of music has gone down. That might be true in some ways, but there is always a demand for quality music and for quality relationships. And people will spend money on quality. Developing a quality relationship with your fans might take more time, but the return on that investment of time is exponential. And if you take the time to focus on getting to know your fans and putting out great content on a regular basis, you’ll create value for yourself as an artist, and in turn, for your music. And when people perceive value, they will spend money on it, and music is no different.

 

5 Ways to Lose Fans on Twitter

This post was written for Bandzoogle, the most powerful band website platform. Bandzoogle is a Montreal-based company, founded and run by musicians. Visit Bandzoogle.com to take the tour or get started right away and build your band website free.

Most artists and bands now use Twitter to promote their music and connect with their fans. But like with all promotional tools, there are certain things you should avoid doing. I’ve searched through literally thousands of artist accounts on Twitter and noticed some alarming trends. Here’s a quick Top 5 things that could cause you to lose your fans on Twitter:

5 Ways to Lose Fans on Twitter

1. Don’t respond

Twitter isn’t just to talk at people, it’s meant to be a conversation, so don’t ever leave a fan hanging. If they’ve asked you a question or commented on something you’ve said, respond as soon as you can.

2. Only promote yourself

If your entire Twitter feed is made up of tweets like:

“Come to my show tonight!”

“Buy my album!”

“Check out my music!”

Chances are, your fans are going to tune out. Yes, you need to let people know if you’re playing a show, or where to buy your music, but not all of the time. Instead, focus on connecting with people by responding to their tweets, asking questions, or by talking about things that interest you. You never know how those little things in
life will help you to connect with your fans and strengthen your relationship with them.

3. Use the same content on Twitter as on Facebook

Although there is inevitably going to be some cross over, make sure that you are putting out some different content on Twitter than you are on Facebook. If it’s always the exact same, then why should people follow you on Twitter? And if you’ve synced your Twitter & Facebook accounts, use something like selective tweets so that only some of the content goes to both accounts. Take advantage of the possibility of longer updates on Facebook and use Twitter for more frequent updates and constant fan interaction.

4. Tweet too much

If you’re updating your Twitter feed every 2 minutes with mundane details about your daily life, chances are, people are going to stop following you. A handful of updates everyday is enough, so if you start tweeting several dozen times per day and start losing followers, it might be time to scale back a little bit.

5. Rarely Tweet

And last but not least, if you’re not active on Twitter, then don’t expect your fans to keep following you. You’ll need to constantly keep in touch with your fans to hold onto them and to grow your
following. Even updating your feed just once a day will help to give fans a reason to stay in touch with you on Twitter.

In the studio? Don’t shut out your fans!


Photo: Elida Arrizza

This post was written for Bandzoogle, a website platform for musicians. Bandzoogle is a Montreal-based company, founded and run by musicians, and has every tool a musician needs for their website. Visit Bandzoogle.com to take the tour or get started right away and build your band website free.



Going into the studio to record new music is one of the most exciting times for a band. But all too often when musicians go into the studio, they disappear into their creative bubble and shut everyone else out. Although it’s understandable that you might want to avoid distractions while in the studio, you shouldn’t disappear completely.

With so much competition for people’s attention, bands need to keep in regular contact with their fans just to maintain that fan base. And for fans, it’s all about access. Fans want to get an inside look at your career and feel like they’re part of the experience. From an artist’s perspective, the more access you can give, the stronger your relationship to the fan, the more they’ll talk about you and your music. And being in the studio is a great opportunity to strengthen the relationship with your fans.

So what can you do to enhance fan engagement and create a buzz while in studio? Here are a few ideas:

Social Media

  • Live tweeting
Announce to your fans that you’ll be live tweeting certain recording sessions. Post pictures, give live feedback on takes, good and bad.
  • Post updates on Facebook

Post updates on Facebook, including a few pictures from the day, funny stories, etc.

Your Website

Social media is quick and easy, but you should try to bring fans to your website whenever possible. This way they can find out more about who you are as an artist, sign up to your mailing list, and maybe shop at your online store while they’re there. Here are a few ways to attract fans to your website while in the studio:

  • Blog

Post a daily blog talking about each recording session. Use the flexibility and space that a blog affords you by posting in-depth reviews of each session along with lots of pictures.

  • Photo Galleries

Post extensive photo galleries on your website from each recording session.

  • Video blog

Same concept as the blog, but you can make it more visual by filming throughout the recording sessions and including some of that footage in a video blog review from each session.

  • Live streaming

Take video to the next level by setting up a live stream of the recording sessions on your website so fans can see in real-time what your recording process is like.

  • Post rough tracks

Every so often, post a rough take of a song on your website and even ask for feedback on it. This will not only drive fans to your site, but also give you some valuable insight into whether a song is connecting with people or not.


Have a contest

Being in studio provides a great opportunity to take fan engagement even further by having contests where you offer fans a chance to participate in the recording process. Try making the contest exclusive to your mailing list subscribers. This will not only help increase the number of subscribers, but also reward fans who are already on your list, something you should look to do as often as possible.

Here are a few ideas for contests where fans could participate in the studio:

  • Invite fans to visit the studio during a recording session where they can take photos/video with the band, then take them out to dinner afterwards
  • If you need group back-up vocals or hand clapping for a particular song, instead of inviting a bunch of your friends to help out, invite a few of your fans to come into the studio and actually be on the album
  • Invite fans to sit-in on an exclusive listening session in the studio once the album is complete, and then throw an after-party to celebrate. Guaranteed your fans will post pics on Facebook and Twitter of their experience.

These are just some ideas to get you started. But by allowing your fans to be a part of your life in the studio, you also become a part of their lives. And guess what? People like to talk about their lives. So these are the fans that are going to do the best kind of marketing for you, which is word-of-mouth marketing. They’re going to talk about you on Twitter, Facebook and to their friends and family.

So the next time you’re planning on recording a new album, consider giving your fans as much access as possible during such a unique and interesting experience like being in the studio. You’ll reap the benefits of creating a more loyal and dedicated fan base, and no doubt gain some new fans in the process too.